So Long The Way
Song lyrics
Crystal glass in business class
Expense account Merlot
A flight announcement cuts me off
I wonder where I’ll go
I’m due at sunrise in D.C.
But storms have frozen down O’Hare
There’s gridlock on the highway home
No easy route from here to there
So hard the journey, the road twists on and on
So long the writing, so short the song
So hot the thin glass of glittering careers
So many turnings, and why am I here
​
I’d love to chill out in Vermont
when schedules are clear
I’ll book that cabin by the lake
Some other time, some better year
​
The brook behind my Grandpa’s shed
Is a distant peaceful dream
An empty line in a shady pool
content to never catch a thing.
So hard the journey, the road twists on and on
So long the writing, so short the song
So high the bright facade of skyscraper’s veneer
So many turnings, and why am I here?
​
Distant gate, I might be late
Frequent flier hell
Redeye flight or just sit tight
See what cable news foretells
​
I watch the crawlers on the screen
and contemplate the Dow
I’ll pour another glass of wine
And drift off with the clouds
So hard the journey, the road twists on and on
So long the writing, so short the song
I might change my direction if restrictions still allow
So many turnings, but here I am for now
So many turnings, but this is all for now
Li Bai [Li Po],
Hard is the Journey
Gold vessels of fine wines,
thousands a gallon,
Jade dishes of rare meats,
costing more thousands,
​
I lay my chopsticks down,
no more can banquet,
And draw my sword and stare
wildly about me:
​
Ice bars my way to cross
the Yellow River
Snows from dark skies to climb
the T'ai-hang Mountains!
​
At peace I drop a hook
into a brooklet,
At once I’m in a boat
but sailing sunward . . .
(Hard is the Journey,
Hard is the Journey,
So many turnings,
And now where am I?)
​
So when a breeze breaks waves
bringing fair weather,
I set a cloud for sails,
cross the blue oceans!
Arthur Cooper, transl. Li Po and Tu Fu: Poems
(London: Penguin Classics 1973) 136.
​
My song: I imagine today’s traveler wondering what it’s all about. In the music, I hear a bit of Waylon Jennings, a bit of Willie Nelson. I adapted the instrumental tag from an ancient Chinese air for pipa (Chinese lute) notated in the source above at pp. 34-35. I measured the tempo against a Ray Price number (Pride).